Forty is just around the corner

8" x 10"
Bel Marin #39

I found a great spot out in the marsh that included a giant Eucalyptus and Mt. Diablo (at least I think it is - it looks just like it and is in the same general direction).  I'm reading Edgar Payne's book, Composition of Outdoor Painting, and I think this is one of his "approved" compositions!  I've been struggling with my compositions on the big landscapes - I need to simplify, a lot.  But, I think this one works, plus, I'm happy with my palette.   Here's an example of some of his composition sketches from the book.

A page from Edgar Payne's book

It's a fairly detailed (i.e. DRY) book, but he gives lots of good advice, plus the wonderful little sketches of every composition you could possibly imagine, which he guarantees work.  You just have to remember them all.

I saw this on Joe Paquet's website recently and thought I'd share.  I like the part about having the opportunity to experience some "friction".  Apparently, this is a good thing for painters. (Mr. Paquet clearly does not live with teenagers)  I'm not sure where I'll go tomorrow, but hopefully it will be sunny and I can go outside and get out of my comfort zone.

Why paint outside? by Joe Paquet