Bel Marin Keys |
The photograph makes it look worse than it is. In fact, when I was finished, I didn't think it was half bad. But now it looks muddy and the reflection in the water looks like a black hole, and I'm going to stop here.
Oh well. I'm headed back up there Thursday and can do it all over again.
While we were painting, a man stopped and started chatting us up. It turns out he was a Marin painter, Thomas Soltesz. He showed us the painting he had done up the levy and I must say, I was quite impressed. He said he spent ONE hour - not two like the one below. Jill and I decided we need to work faster (and better). We also decided to focus on painting a Eucalyptus tree, and are both going to follow this instructional chapter on "How to paint a Eucalyptus tree" in Elizabeth's Tolley's book before Thursday.
6" x 8" Roadside #35 ONE HOUR (like Soltesz) |
My critique is tomorrow, so I hope that Tim will enlighten me somehow, and I will be painting master pieces up at Bel Marin Keys later this week.
Stay tuned.
Stay tuned.
1 comment:
I don't think your painting looks muddy at all......some good sunlight there!
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